Ammon News - The mystery of how Mozart truly looked may be solved at last, after scientists reconstructed his living face from his skull.

The composer is a giant of western music, but his appearance is shrouded in mystery, with most portraits of him painted long after his death.

And the few depictions of him that survive from his life vary, with some showing him in childhood, others incomplete, and others disputed in their authenticity.

In 1962, musicologist Alfred Einstein wrote: 'No earthly remains of Mozart survived save a few wretched portraits, no two of which are alike.'

But now the face of the famous classical musician may be revealed at last, after a skull attributed to him was used to rebuild his likeness.

Cicero Moraes, an expert in the field of forensic facial reconstructions, said he learned of the skull by sheer luck while engaged in another project.

He said: 'Our team has been working for over a decade on facial approximations, occasionally helping police forensic teams and constantly reconstructing historical figures.

'During previous studies, we discovered by chance that there was a skull attributed to Mozart.'

He continued: 'There were images of the skull with spatial references so it was possible to reconstruct it.

'The condition was good, although the mandible was not included and some teeth were missing.

'But it was possible to reconstruct these and recover the complete skull through statistical data and anatomical coherence.'

The international team began by virtually rebuilding the skull.

Then different techniques were combined to give a finished reconstruction.

Mr Moraes, lead author of the new study, said: 'We used soft tissue thickness markers, which allowed us to get an idea of the limits of the skin on the face.

'We also projected some structures such as the nose, ears, lips, etc.

'Both were based on measurements taken from hundreds of adult European individuals, providing a robust basis for approximation.'

He continued: 'To complement the data, we also used the anatomical deformation technique, adjusting the head of a virtual donor to match the parameters of the skull attributed to Mozart.

'In this way a compatible face would be generated.

'After crossing all the data, we had a basic bust, which was finished with the placement of hair and clothing according to references from the time.'

The completed face had a 'gracile' look, he said.

The mystery of Mozart's appearance has long puzzled academics.

Alfred Einstein once wrote: 'We have nothing to give us an idea of Mozart's physical appearance, except for a few mediocre canvases that do not even resemble each other.'

Musicologist, Arthur Schuring, took a similar view.

He wrote in 1913: 'Mozart has been the subject of more portraits quite unrelated to his actual appearance than any other famous man.

'An adoring posterity has not conceived a more incorrect physical image of any other notability.'

Mr Moraes noted that the most famous portrait of Mozart, by Barbara Krafft, was painted in 1819 – 28 years after the composer's death. Daily Mail